The Harmonious Programmer

The Harmonious Programmer

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  • Peter Landgren enjoys the sights and sounds of Cleveland as director of Baldwin-Wallace College's Conservatory of Music: My Cleveland | cleveland.com

    • 17 Jun 2010
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    • College Life Music
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    Is it possible for a musician to make a living in Cleveland?

    I'd like to broaden the question and say that it's more possible now than in previous decades to make a living in music anywhere in the country. A musician, however, has to be more than a good player or teacher. They must have an entrepreneurial spirit and serve as an advocate for their art.

    Music is one of the easiest art forms to give away for free. B-W teaches all college students how to be contributing citizens in today's world, and in the conservatory, we not only teach students to be intelligent and sensitive performers, but we also guide music students on how to create their own unique career in music.

    via cleveland.com

    Mr. Landgren (fondly named PL by his students) is my former horn teacher of three years in college (Johns Hopkins in Baltimore). As a music major at a great conservatory, I spent a lot of time each week preparing for my lesson with PL. It was really exciting to see this piece in the newspaper about Big P's new adventures at BW (I was known as Little P in college). Take a moment to go read the whole article which is very interesting insight on the music "mecca" in Cleveland.

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  • A Contrabass French Horn (Video)

    • 26 May 2010
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    • Horn Levity Music
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    via youtube.com

    OMG! I nearly shit myself seeing a Contrabass French Horn playing an excerpt from Ein Heldenleben.

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  • Most performed Americans (via John Mackey's Blog)

    • 16 Apr 2010
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    • Composing Music
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    April 16, 2010

    Most performed Americans

    The League of American Orchestras has released their always-interesting list of the most-performed American composers. The rankings are only for orchestral performances, which makes them especially eye-opening when you compare these numbers to, say, band numbers. These numbers are for 2008-2009. Here are the top 5 living American composers, and their total number of American orchestral performances:
    1: John Adams — 52 performances
    2: Jennifer Higdon — 49 performances
    3: Michael Daugherty — 34 performances
    4: John Corigliano — 32 performances
    5: John Williams — 31 performances

    (You can see a more complete list here.)

    I’ve written before about the whole “band vs. orchestra” thing, but here, comparing the numbers is kind of shocking.  During the 2008-2009 season, John Adams had 52 performances by orchestras in the United States.  From his entire catalog.  This year, Asphalt Cocktail has 70 scheduled performances.  That’s one band piece.  Point: band.

    Also of note is the Boosey & Hawkes list of their most-performed pieces of the past decade.  Michael Daugherty’s piece for timpani and symphonic band (and also arranged for orchestra) “Raise the Roof” is number 8 on Boosey’s decade list, but I’m willing to bet that the majority of those 67 performances are from bands, not orchestras.  At number 2, it’s Christopher Rouse’s orchestra piece, “Rapture.”  Since 2000, it has had 97 performances.

    At number one, though — and this is only considering works published by Boosey & Hawkes — is Karl Jenkins Requiem.  How many performances in the past decade?  311.  311!  I feel pretty out-of-touch for not even knowing the piece existed.

    The lesson here?  If you’re a composer and you want to have at least the potential for a large number of performances, write for band.  But if you want to really get a shitload of performances, write a requiem!

    Apparently everybody loves a requiem.

    via ostimusic.com

    As a musician who was formerly on a professional musician career path, I find this post extremely informative. If you are a composer and you want your music to be heard and performed, write for band. This is why John Mackey has been writing for band so much these days. Go John! (As an aside, my youth orchestra worked with John about 11 years ago.)

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  • About

    Hailing from the frigid tundra of Minnesota, Peter J. Farrell has a Bachelor of Music degree from the Peabody Institute at the Johns Hopkins University in Baltimore, Maryland.

    While studying music, Peter took his life-long interest with computers to a new level and started learning about web development technologies. He has been working with CFML since 2001 and is the lead developer of the Mach-II framework.

    Peter is a Senior Technologist for GreatBizTools, a human resources consulting firm. He and his wife, Allyson, live together in Minneapolis, Minnesota.

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